2.165 file audio bebas royalti untuk "Symphony No. 9 (dvořák)"

The Nocturne Op. 9 No. 2, in E flat major, performed by Mischa Elman and Percy B. Kahn, Victor 12" Red Seal (Classical) 74052, single-sided disc

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 3. Finale (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

6. Streichquartett, op. 18, 2. Satz String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - II. Adagio ma non troppo

Sonata No. 8 in C Minor Pathetique, Op. 13 - III. Rondo - allegro

Sonata no. 21 in c major (Waldstein sonata) - i. allegro con brio

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Beethoven Appassionata 3 final bars of Andante

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Bach; Chaconne d-moll Heifetz

Schubert - D. 759, I mm.60-4, without G.P.

Schubert - D. 759, I mm.60-4, with G.P.

Frederic Chopin Piano Sonata No.2 in B flat minor Op35 - I Grave Doppio Movimento Chopin - Sonata b-moll op. 35. I - Grave doppio movimento

Sonata in B Flat Minor, Op. 35 - IV. Presto

Sonata in B Flat Minor, Op. 35 - III. Marche funebre, Lento

Sonata in B Flat Minor, Op. 35 - I. Grave, Doppio movimento

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Haydn's Sonata in G Major: Coda.

First theme of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1–12.

Frederic Chopin - Piano Sonata No.2 in B flat minor Op35 - III Marche Funebre Chopin - Sonata b-moll op. 35. III - Marsz żałobny

Frederic Chopin - Piano Sonata No.2 in B flat minor Op35 - IV Finale Presto Chopin - Sonata b-moll op. 35. IV - Finale presto

Berlioz; Les Nuits D'ete, 06 lileInconnue

Berlioz; Les Nuits D'ete, 04 Absence

Berlioz; Les Nuits D'ete, 03 surLesLagunes

Berlioz; Les Nuits D'ete, 02 leSpectreDeLaRose

Berlioz; Les Nuits D'ete, 05 auCimetiere

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): I. Adagio molto, Allegro con brio performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

*2 steps in 9 equal temperament on C on C = ??. Equal-tempered: 22/9:1 = 266.67 cents. MIDI pitch bend: 42,53

*8 steps in 72 equal temperament on C. Equal-tempered: 28/72=1/9:1 = 133.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 134.375 cents rather than 133.336. New version a m2 on 85,74 for 133.3251953125 cents rather than 133.336.

Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1, 1832

Mozart's Excerpt K331. Created by Hyacinth (talk) 23:06, 5 November 2011 (UTC) using Sibelius 5. See: File:MozartExcerptK331.png

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Beethoven: Piano Concerto No. 4, slow movement

Sonata No. 8 in C Minor Pathetique, Op. 13 - I. Grave - allegro di molto e con brio

Piano Concerto, K. 491, closing bars of the slow movement

Sonata no. 15 in d major, op. 28 'pastorale' - iv. rondo. allegro, ma non troppo

Elias Goldstein Viola, Christina Lalog Piano. Paganini-Primrose

*Major third on C = E. Equal-tempered: 24/12:1 = 400 cents. MIDI pitch bend: 0,64

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante(1)

Piano Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier: III. adagio sostenuto

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 1st movement (adagio sostenuto), performed by Paul Pitman for Musopen Italiano: Sonata n. 14 in do diesis minore "Chiaro di luna", op. 27 n. 2, I movimento (adagio sostenuto), eseguito da Paul Pitman per Musopen